THE GOSPEL OF SRI RAMAKRISHNA

CHAPTER-II / PART-2

Keshab Chandra Sen

April 2, 1882

Master's visit to Keshab

Sri Ramakrishna was sitting in the drawing-room of Keshab Chandra Sen's (see Picture) house in Calcutta; it was five o'clock in the afternoon. When Keshab was told of his arrival, he came to the drawing-room dressed to go out, for he was about to call on a sick friend. Now he cancelled his plan. The Master said to him: "You have so many things to attend to. Besides, you have to edit a newspaper. You have no time to come to Dakshineswar; so I have come to see you. When I heard of your illness I vowed green coconut and sugar to the Divine Mother for your recovery. I said to Her, 'Mother, if something happens to Keshab, with whom shall I talk in Calcutta?' "

Sri Ramakrishna spoke to Pratap and the other Brahmo devotees. M. was seated near by. Pointing to him, the Master said to Keshab: "Will you please ask him why he doesn't come to Dakshineswar any more? He repeatedly tells me he is not attached to his wife and children." M. had been paying visits to the Master for about a month; his absence for a time from Dakshineswar called forth this remark. Sri Ramakrishna had asked M. to write to him, if his coming were delayed.

Pundit Samadhyayi was present. The Brahmo devotees introduced him to Sri Ramakrishna as a scholar well versed in the Vedas and the other scriptures. The Master said, "Yes, I can see inside him through his eyes, as one can see the objects in a room through the glass door."

Trailokya sang. Suddenly the Master stood up and went into samādhi, repeating the Mother's name. Coming down a little to the plane  of sense consciousness, he danced and sang:

I drink no ordinary wine, but Wine of Everlasting Bliss, 
As I repeat my Mother Kāli's name; 
It so intoxicates my mind that people take me to be drunk! 
First my guru gives molasses for the making of the Wine; 
My longing is the ferment to transform it. 
Knowledge, the maker of the Wine, prepares it for me then; 
And when it is done, my mind imbibes it from the bottle of the mantra, 
Taking the Mother's name to make it pure. 
Drink of this Wine, says Ramprasad,  and the four fruits of life are yours.

The Master looked at Keshab tenderly, as if Keshab were his very own. He seemed to fear that Keshab might belong to someone else, that is to say, that he might become a worldly person. Looking at him, the Master sang again:

We are afraid to speak, and yet we are afraid to keep still; 
Our minds, O Radha, half believe that we are about to lose you! 
We tell you the secret that we know - 
The secret whereby we ourselves, and others, with our help, 
Have passed through many a time of peril;
Now it all depends on you.

Quoting the last part of the song, he said to Keshab: "That is to say, renounce everything and call on God. He alone is real; all else is illusory. Without the realization of God everything is futile. This is the great secret."

The Master sat down again and began to converse with the devotees. For a while he listened to a piano recital, enjoying it like a child. Then he was taken to the inner apartments, where he was served with refreshments and the ladies saluted him.

As the Master was leaving Keshab's house, the Brahmo devotees accompanied him respectfully to his carriage.

Sunday, April 9, 1882

Sri Ramakrishna was seated with his devotees in the drawing-room of Prankrishna Mukherji's house in Calcutta; it was between one and two o'clock in the afternoon. Since Colonel Viswanath lived in that neighbourhood, the Master intended to visit him before going to see Keshab at the Lily Cottage. A number of neighbours and other friends of Prankrishna had been invited to meet Sri Ramakrishna. They were all eager to hear his words.

 

God and His glory & Dangers of worldly life

MASTER: "God and His glory. This universe is His glory. People see His glory and forget everything. They do not seek God, whose glory is this world. All seek to enjoy 'woman and gold'. But there is too much misery and worry in that. This world is like the whirlpool of the Viśālākśi. Once a boat gets into it there is no hope of its rescue. Again, the world is like a thorny bush: you have hardly freed yourself from one set of thorns before you find yourself entangled in another. Once you enter a labyrinth you find it very difficult to get out. Living in the world, a man becomes seared, as it were."

A DEVOTEE: "Then what is the way, sir?"

Prayer and holy company & Earnest longing

MASTER: "Prayer and the company of holy men. You cannot get rid of an ailment without the help of a physician. But it is not enough to be in the company of religious people only for a day. You should constantly seek it, for the disease has become chronic. Again, you can't understand the pulse rightly unless you live with a physician. Moving with him constantly, you learn to distinguish between the pulse of phlegm and the pulse of bile."

DEVOTEE: "What is the good of holy company?"

MASTER: "It begets yearning for God. It begets love of God. Nothing whatsoever is achieved in spiritual life without yearning. By constant living in the company of holy men, the soul becomes restless for God. This yearning is like the state of mind of a man who has someone ill in the family. His mind is in a state of perpetual restlessness, thinking how the sick person may be cured. Or again, one should feel a yearning for God like the yearning of a man who has lost his job and is wandering from one office to another in search of work. If he is rejected at a certain place which has no vacancy, he goes there again the next day and inquires, 'Is there an vacancy today?'

"There is another way: earnestly praying to God. God is our very own. We should say to Him: 'O God, what is Thy nature? Reveal Thyself to me. Thou must show Thyself to me; for why else hast Thou created me?' Some Sikh devotees once said to me, 'God is full of compassion.' I said: 'But why should we call Him compassionate? He is our Creator. What is there to be wondered at if He is kind to us? Parents bring up their children. Do you call that an act of kindness? They must act that way.' Therefore we should force our demands on God. He is our Father and Mother, isn't He? If the son demands his patrimony and gives up food and drink in order to enforce his demand, then the parents hand his share over to him three years before the legal time. Or when the child demands some pice from his mother, and says over and over again: 'Mother, give me a couple of pice. I beg you on my knees!' - then the mother, seeing his earnestness, and unable to bear it any more, tosses the money to him.

"There is another benefit from holy company. It helps one cultivate discrimination between the Real and the unreal. God alone is the Real, that is to say, the Eternal Substance, and the world is unreal, that is to say, transitory. As soon as a man finds his mind wandering away to the unreal, he should apply discrimination. The moment an elephant stretches out its trunk to eat a plantain-tree in a neighbour's garden, it gets a blow from the iron goad of the driver."

Explanation of evil

A NEIGHBOUR: "Why does a man have sinful tendencies?"

MASTER: "In God's creation there are all sorts of things. He has created bad men as well as good men. It is He who gives us good tendencies, and it is He again who gives us evil tendencies."

NEIGHBOUR: "In that case we aren't responsible for our sinful actions, are we?"

MASTER: "Sin begets its own result. This is God's law. Won't you burn our tongue if you chew a chilli? In his youth Mathur6 led a rather fast life; so he suffered from various diseases before his death.

"One may not realize this in youth. I have looked into the hearth in the kitchen of the Kāli temple when logs are being burnt. At first the wet wood burns rather well. It doesn't seem then that it contains much moisture. But when the wood is sufficiently burnt, all the moisture runs back to one end. At last water squirts from the fuel and puts out the fire.

"So one should be careful about anger, passion, and greed. Take, for instance, the case of Hanuman. In a fit of anger he burnt Ceylon. At last he remembered that Sita was living in the aśoka grove. Then he began to tremble lest the fire should injure her."

NEIGHHBOUR: "Why has God created wicked people?"

MASTER: "That is His will, His play. In His maya there exists avidyā as well as vidyā. Darkness is needed too. It reveals all the more the glory of light. There is no doubt that anger, lust, and greed are evils. Why, then, has God created them? In order to create saints. A man becomes a saint by conquering the senses. Is there anything impossible for a man who has subdued his passions? He can even realize God, through His grace. Again, see how His whole play of creation is perpetuated through lust.

"Wicked people are needed too. At one time the tenants of an estate became unruly. The landlord had to send Golak Choudhury, who was a ruffian. He was such a harsh administrator that the tenants trembled at the very mention of his name.

"There is need of everything. Once Sita said to her Husband: 'Rama, it would be grand if every house in Ayhodhya were a mansion! I find many houses old and dilapidated.' 'But, my dear,' said Rama, 'if all the houses were beautiful ones, what would the masons do?' (Laughter.) God has created all kinds of things. He has created good trees, and poisonous plants and weeds as well. Among the animals there are good, bad, and all kinds of creatures - tigers, lions, snakes, and so on."

Washing away the heart's impurities with tears

NEIGHTBOUR: "Sir, is it ever possible to realize God while leading the life of a householder?"

MASTER: "Certainly. But as I said just now, one must live in holy company and pray unceasingly. One should weep for God. When the impurities of the mind are thus washed away, one realizes God. The mind is like a needle covered with mud, and God is like a magnet. The needle cannot be united with the magnet unless it is free from mud. Tears wash away the mud, which is nothing but lust, anger, greed, and other evil tendencies, and the inclination to worldly enjoyments as well. As soon as the mud is washed away, the magnet attracts the needle, that is to say, man realizes God. Only the pure in heart see God. A fever patient has an excess of the watery element in his system. What can quinine do for him unless that is removed?

"Why shouldn't one realize God while living in the world? But, as I said, one must live in holy company, pray to God, weeping for His grace, and now and then go into solitude. Unless the plants on a foot-path are protected at first by fences, they are destroyed by cattle."

Need of a guru

NEIGHBOUR: "Then householders, too, will have the vision of God, won't they?"

MASTER: "Everybody will surely be liberated. But one should follow the instructions of the guru; if one follows a devious path, one will suffer in trying to retrace one's steps. It takes a long time to achieve liberation. A man may fail to obtain it in this life. Perhaps he will realize God only after many births. Sages like Janaka performed worldly duties. They performed them, bearing God in their minds, as a dancing-girl dances, keeping jars or trays on her head. Haven't you seen how the women in northwest India walk, talking and laughing while carrying water-pitchers on their beads?"

NEIGHBOUR: "You just referred to the instructions of the guru. How shall we find him?"

MASTER: "Anyone and everyone cannot be a guru. A huge timber floats on the water and can carry animals as well. But a piece of worthless wood sinks, if a man sits on it, and drowns him. Therefore in every age God incarnates Himself as the guru, to teach humanity. Satchidananda alone is the guru.

"What is knowledge? And what is the nature of this ego? 'God alone is the Doer, and none else' - that is knowledge. I am not the doer; I am a mere instrument in His hand. Therefore I say: 'O Mother, Thou art the Operator and I am the machine. Thou art the Indweller and I am the house. Thou art the Driver and I am the carriage. I move as Thou movest me. I do as Thou makest me do. I speak as Thou makest me speak. Not I, not I, but Thou, but Thou.' "

From Prankrishna's house the Master went to Colonel Viswanath's and from there to the Lily Cottage.

--------------------

 Source: The Gospel of Sri Ramakrishna

SRI SARADA DEVI TELLS STORY:

SRI SARADA DEVI

There is a story. Once Sita said to Rama, 'Why do you not remove everybody's miseries? Make everyone in your kingdom—all your subjects—happy. You can do it if you like.' Rama answered, 'Can everyone be happy at the same time?' 'Well, they can, if you so desire. Why not satisfy all their needs from the royal treasury?' 'Just as you wish.'

   "Then Rama called Lakshmana and said, 'Go and tell everyone in my kingdom that all their needs will be supplied from my treasury.' When the people heard this, they came and explained their needs. The treasury was laid open. Everyone lived in happiness. But such was the dispensation of Rama that soon the roof of the royal palace showed cracks and water seeped through. Masons were sent for to repair the crack. But there were none to be found. Where was any labourer to be found? The subjects also came and complained that because there were no masons or workmen, their houses and buildings were falling to pieces. Then, seeing no other way, Sita said to Rama, 'We cannot suffer in the wet like this! Let everything be as it was. Then we can get workmen again. Everybody cannot be happy at the same time.' 'So be it,' answered Rama. In the twinkling of an eye everything was as it used to be. One could get workmen again. 'Lord, it is true that this life is only a game of yours!' said Sita. 


********************************************************************

THE GOSPEL OF SRI RAMAKRISHNA

Chapter 2

IN THE COMPANY OF DEVOTEES

March 11, 1882

Master at Balaram's house

ABOUT EIGHT O'CLOCK in the morning Sri Ramakrishna went as planned to Balaram Bose's house in Calcutta. It was the day of the Dolayatra. Ram, Manomohan, Rakhal, Nityagopal, and other devotees were with him. M., too, came, as bidden by the Master.

Devotees in trance

The devotees and the Master sang and danced in a state of divine fervour. Several of them were in an ecstatic mood. Nityagopal's chest glowed with the upsurge of emotion, and Rakhal lay on the floor in ecstasy, completely unconscious of the world. The Master put his hand on Rakhal's chest and said: "Peace. Be quiet." This was Rakhal's first experience of ecstasy. He lived with his father in Calcutta and now and then visited the Master at Dakshineswar. About this time he had studied a short while in Vidyasagar's school at Syampukur.

When the music was over, the devotees sat down for their meal. Balaram stood there humbly, like a servant. Nobody would have taken him for the master of the house. M. was still a stranger to the devotees, having met only Narendra at Dakshineswar.

A few days later M. visited the Master at Dakshineswar. It was between four and five o'clock in the afternoon. The Master and he were sitting on the steps of the Śiva temples. Looking at the temple of Radhakanta, across the courtyard, the Master went into an ecstatic mood.

Since his nephew Hriday's dismissal from the temple, Sri Ramakrishna had been living without an attendant. On account of his frequent spiritual moods he could hardly take care of himself. The lack of an attendant caused him great inconvenience.

Bigotry condemned

Sri Ramakrishna was talking to Kāli, the Divine Mother of the Universe. He said: "Mother, everyone says, 'My watch alone is right.' The Christians, the Brahmos, the Hindus, the Mussalmans, all say, 'My religion alone is true.' But, Mother, the fact is that nobody's watch is right. Who can truly understand Thee? But if a man prays to Thee with a yearning heart, he can reach Thee, through Thy grace, by any path. Mother, show me some time how the Christians pray to Thee in their churches. But Mother, what will people say if I go in? Suppose they make a fuss! Suppose they don't allow me to enter the Kāli temple again! Well then, show me the Christian worship from the door of the church."

The mind's inability to comprehend God

Another day the Master was seated on the small couch in his room, with his usual beaming countenance. M. arrived with Kalikrishna, who did not know where his friend M. was taking him. He had only been told:  "If you want to see a grog-shop, then come with me. You will see a huge jar of wine there." M. related this to Sri Ramakrishna, who laughed about it. The Master said: "The bliss of worship and communion with God is the true wine, the wine of ecstatic love. The goal of human life is to love God, Bhakti is the one essential thing. To know God through jnāna and reasoning  is extremely difficult."

Then the Master sang:

Who is there that can understand what Mother Kāli is? 
Even the six darsanas are powerless to reveal Her....

The Master said, again: "The one goal of life is to cultivate love for God, the love that the milkmaids, the milkmen, and the cowherd boys of Vrindāvan felt for Krishna. When Krishna went away to Mathura, the cowherds roamed about weeping bitterly because of their separation from Him."

Saying this the Master sang, with his eyes turned upward:

Just now I saw a youthful cowherd

With a young calf in his arms; 

There he stood, by one hand holding 

The branch of a young tree. 

"Where are You, Brother Kanai?" he cried;

 But "Kanai" scarcely could he utter; 

"Ka" was as much as he could say. 

He cried, "Where are You, Brother?"

And his eyes were filled with tears.

When M. heard this song of the Master's, laden with love, his eyes were moist with tears.

 ********************************************************************

JAGADHATRI PUJA:2011

Jagaddhatri or Jagadhatri (in Bengali) ['Jagaddhatri' literally means 'Holder (dhatri) of the World (Jagat)'] is a form of Devi, the supreme Goddess. According to Sri Ramakrishna, ‘Jagaddhatri holds the World. If she wouldn’t, the World might fall down.’ This explanation can be applied for both Durga and Jagaddhatri. That is why in the hymns, the goddess is always referred as ‘Jagaddhatri Durga’.

JAGADDHATRI:

Jagaddhatri Devi

Her worship is more common in West Bengal than the other parts of India. Her cult is directly derived from Tantra where she is a symbol of sattva beside Durga and Kali, respectably symbolized with Rajas and Tamas. Jagaddhatri is depicted as being the colour of the morning sun, three-eyed and four-armed, holding Chakra, conch, bow and arrow, clothed in red, bright jewels and nagajangopaveeta, a symbol of Yoga and the Brahman. She rides a lion standing on the dead Karindrasura, the Elephant Demon.

Sri Ramakrishna said, “Jagaddhatri arises in the heart of a person," “who can control the frantic elephant called mind.”  In Ramakrishna order, Jagaddhatri Puja was initiated by Sri Sarada Devi, Sri Ramakrishna’s wife who regarded is an avatar of Devi Herself.

LEGEND:

As per ancient Pauranik lore of the Hindu scriptures, soon after the victory over Mahishasur the Devatas became highly egoistic. They thought because of lending to Durga their instruments the mighty asuras were vanquished. To make them understand that the primordial power is alone behind every action, the Brahman appeared before the Devatas in the form of effulgent Yaksha.

Bewildered by its presence one by one the Devatas approached Yaksha. First the god of wind Vayu. The Yaksha asked him what he could do. The Vayu replied that he could throw away huge trees, tumble high mountains. The Yaksha then placed a small grass and asked him to move it. The Vayu utilised all his powers but lo! he could not even displace it. So also the god of fire Agni, could not even burn it. Likewise one by one the Devatas failed.And it dawned on them that their powers are in reality not their own but derived from the supreme power who as protecting mother holds the entire creation and therefore called Jagaddhatri.

SIGNIFICANCE OF JAGADHATRI PUJA:

Anybody who worships Jagaddhatri becomes absolutely egoless and a true servant of the world which is nothing but a manifestation of the Brahman.

COURTESY: en.wikipedia.org/wiki/Jagaddhatri

CHHATH PUJA-2011

Chhath is an ancient Hindu festival dedicated to the Hindu Sun God: Surya, also known as Surya Shashti. The Chhath Puja is performed in order to thank Surya for sustaining life on earth and to request the granting of certain wishes. The Sun, considered the god of energy and of the life-force, is worshiped during the Chhath fesival to promote well-being, prosperity and progress. In Hinduism, Sun worship is believed to help cure a variety of diseases, including leprosy, and helps ensure the longevity and prosperity of family members, friends, and elders.

The rituals of the festival are rigorous and are observed over a period of four days. They include holy bathing, fasting and abstaining from drinking water (Vratta), standing in water for long periods of time, and offering prashad (prayer offerings) and aragh to the setting and rising sun.

It is observed most elaborately in Bihar, Jharkhand and the Terai regions of Nepal in modern times, and is more prevalent in areas where migrants from those areas have a presence, it is celebrated in all regions and major urban centers in India.

It is believed that the Maga Purohits (modern days known as Shakya Dwipi Brahmins) were invited by local kings for their expertise in Sun worshiping. They started the tradition of Chhat Puja. Today Chhat Puja is celebrated specially in those places where Shakya Dwipi Brahmins are found.

DATE OF THE FESTIVAL:

Chhath puja is performed on kartika Shukala Shashti, which is the sixth day of the month of Kartika in the Hindu Calendar. This falls typically in the month of October or November in the Gregorian Calendar. The word chhath denotes the number 6 in Hindi.

It is also celebrated in the summer (March–April), on Chaitra Shashti, some days after Holi; this event is called Chaiti Chhath. The former is more popular because winter is the usual festive season in North India, and Chhath, being an arduous observance, requiring the worshipers to fast without water for around 36 hours continuously, is easier to undertake in the Indian winters.

HISTORY:

The prayer to "Sun-God" is a historical phenomenon in whole country. The famous temples of "Sun-God" in Multan, Kashmir, Chittod, Moghera  & Konark are the evidence of the same. It is believed that the ritual of Chhath puja may even predate the ancient Vedas texts, as the Rigveda contains hymns worshiping the Sun god and describes similar rituals. The rituals also find reference in the Sanskrit epic poem Mahābhārata in which Draupadi is depicted as observing similar rites.

In the poem, Draupadi and the Pandavas, rulers of Hastinapur (modern Delhi), performed the Chhath ritual on the advice of noble sage Dhaumya. Through her worship of the Sun God, Draupadi was not only able to solve her immediate problems, but also helped the Pandavas later regain their lost kingdom.

It is also believed that Chhath was started by great warrior Karna, the son of Surya Putra Karna who ruled over the Anga Desh (present day Munger district of Bihar) during the Mahabharat Age and fought against the Pandavas in the Kurukshetra War.

Its yogic/scientific history dates back to the Vedic times. The rishis of yore used this method to remain without any external intake of food as they were able to obtain energy directly from the sun's rays. This was done through the Chhath method.The chhat puja is very popular in Dehri-On-Sone (Rohtas), Patna, Dev & Gaya. Now a day it is celebrated in approximately all parts of India.

RITUALS AND TRADITIONS:

Chhath is a ritual bathing festival that follows a period of abstinence and ritual segregation of the worshiper from the main household for four days. During this period, the worshiper observes ritual purity, and sleeps on the floor on a single blanket. The devotees offer their prayers to the setting sun, and then the rising sun in celebrating its glory as the cycle of birth starts with death. It is seen as the most glorious form of Sun worship.

Bihar has a number of Sun temples, flanked by a surajkund or sacred pool of the Sun, forming a popular venue for the celebration of this festival.Patna, Bhagalpur, Munger, Haveli Kharagpur   (Banahara) ,Samastipur, Dumka, Sahibganj, Dev, Gaya, Ranchi, Rampurhat are known popular for chhath puja.

The main worshipers, called Parvaitin (from Sanskrit parv, meaning 'occasion' or 'festival'), are usually women. However, a large number of men also observe this festival. The Parvaitin pray for the well-being of their family, for prosperity and for offspring. Once a family starts performing Chhatt Puja, it is their duty to perform it every year and to pass it on to the following generations. The festival is skipped only if there happens to be a death in the family that year.

The prasad offerings include sweets (Thekua) and fruit offered in small bamboo winnows. The food is strictly vegetarian and it is cooked without salt, onions or garlic. Emphasis is put on maintaining the purity of the food.

THE FOUR DAYS OF CHHATH PUJA:

DAY 1: NAHAY KHAY (LITERALLY, BATHE AND EAT):

On the first day of Chhath Puja, the devotees take a dip, preferably in the holy river Ganges, and carry home the holy water of the river Ganges to prepare the offerings. The house and surroundings are scrupulously cleaned. The parvaitin allows themselves only one meal on this day.It is also known as " kaddu-bhat" in some region.Generally Parvaitin eat kaddu, channa dal, and arwa chawal (non-boiled rice). Traditionally the food is cooked on soil stove & mango wood is used a fuel. Only bronze or soil utensils are used to prepare the food. But now days steel utensils are also used in preparation of food.

DAY 2: KHARNA OR LOHANDA (THE DAY BEFORE CHHATH):

On Panchami, the day before Chhath, the Parvaitins observe a fast for the whole day, which ends in the evening a little after sunset. Just after the worship of earth, the offerings of Rasiao-kheer (rice delicacy), puris (deep-fried puffs of wheat flour) and bananas, are distributed among family and friends. From this day onwards, for the next 36 hours, the Parvaitin goes on a fast without water.

The traditional way of preparation of Kheer for Parvaitin is without sugar. Only Jaggery is used in preparation of prasad for other family members & friends. The prasad is prepared by the Parvaitin itself in the bronze or soil utensils only. While eating the prasad by Parvaitin if any unwanted thing like small stone etc comes into the mouth immediately they have to stop eating without making any complain.

DAY 3: CHHATH:

Sanjhiya Arghya (evening offerings): The day is spent in preparing the prasad (offerings) at home. On the eve of this day, the entire household accompanies the Parvaitins to a riverbank, pond or a common large water body to make the offerings (Aragh) to the setting sun. It is during this phase of Chhath Puja that the devotees offer prayers to the just setting sun. Traditionally during the aragh the Parvaitin should wear the single saree colored with turmeric. But now a days printed & colored sarees are also in use.

The occasion is almost a carnival. Besides the Parvaitin, there are friends and family, and numerous participants and onlookers, all willing to help and receive the blessings of the worshipper. Ritual rendition of regional folk songs, carried on through oral transmission from mothers and mothers-in-law to daughters and daughters-in-law, are sung on this occasion.

The folk songs sung on the evening of Chhath reflect the culture, social structure, mythology and history of Bihar and Uttar Pradesh. Nowadays, modern Chhath songs, largely Bollywood film remixes, have caught on, but the old tradition still goes strong with a great degree of sanctity. The three main linguistic regions of Bihar (the Maithili, the Magadhi, and the Bhojpuri), and all the various dialects associated with these, have different folk songs; but have an underlying unity in their dedicated to Chhath. The minor nuances of the Chhath rituals, such as in the Kharna ritual, vary from region to region and across families, but still there is a fundamental similarity.

KOSI:

On the night of day three, a colorful event of Kosi is held. Here, lighted earthen lamps are kept under a canopy of five sugarcane sticks. The five sticks signify the human body made of Pancha-tattva (the five great elements - earth, water, fire, air and ether). This is a symbolic ritual in Chhath Puja, performed especially in those families where marriage or childbirth has taken place recently. The lighted lamps signify the solar energy sustaining the human being. People perform this ritual at home, during late evening on day three after making the offering to the just setting sun. After that, it is done at the banks of the river on day four before making the offerings to the rising sun.

DAY 4: PAARUN (THE DAY AFTER CHHATH):

Bihaniya Aragh (next morning offerings): On the final day of Chhath Puja, the devotees, along with family and friends, go to the riverbank before sunrise, in order to make the offerings (Aragh) to the rising sun. The festival ends with the breaking of the fast by the Parvaitin and friends visiting the houses of the devotees to receive the prashad. The Chhath has so much importance that even millionaire begs for prasad at the Chhath ghat. This symbolizes that all persons are beggar in front of the Almighty. Witnessing Chhath being celebrated at the crack of the dawn on a river bank is a beautiful, elating spiritual experience connecting the modern Indian to his ancient cultural roots. After aragh Goddess Mother Ganga is worshipped.

SIGNIFICANCE OF EMPHASIS ON SUNRISE AND SUNSET PERIODS:

Only sunrise and sunset are the periods during which the majority of humans can safely obtain the solar energy directly from the Sun. That is why, in Chhath puja, there is a tradition of offering Arghya to the Sun in late evening and in early morning. During these phases (one hour window after sunrise and before sunset), the ultraviolet radiation levels remain in safe limits.

Source: Internet